I was in the city yesterday and had the pleasure of two wonderful meals in two very different restaurants. Both experiences served to remind me of how unique restaurant food can be—and should be—when compared to what we make at home. The amount of technique and the sheer painstaking labor that went into the dishes I ordered are simply not feasible for the home cook. It was humbling, inspiring and satisfying.

Lunch was at The Nomad, Daniel Humm's sophomore endeavor which you can read about in greater detail here. The ambiance was surprising, as though we'd stepped into a Viennese supper club, or at least somewhere on Madison Avenue, rather than a small hotel on Broadway and 28th Street. There are passementerie-adorned red velvet chairs, chandeliers and gorgeous framed botanical prints.
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This bacon-chocolate crunch bar was the end to a very porky dinner at Animal in Los Angeles. Does it surprise you to know I'm gearing up for a cleanse when I get back home? For those of you who marvel that the glutton is not obese, I want to point out that I only ate 2 small bites of this decadent dish. Still, I did share several other pork-intensive plates at this popular place opened in 2008 by chefs Jon Shook and Vinny Dotolo. Since then, they've been awarded Food & Wine Best New Chefs of 2009 and received a James Beard nomination for Best New Restaurant. They also starred in a reality show on the Food Network called “Two Dudes Catering”and came out with a cookbook, “Two Dudes, One Pan.” If you're interested in reading a more in-depth profile than this one, they were featured in the New Yorker in an April 2010 article by Dana Goodyear called "Killer Food."
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I've never gotten into reality TV, never seen Top Chef, so I can only judge Tom Colicchio on the basis of his food which I think is pretty damn good. It was over a luxurious dinner at Craft in 2005 that G requested permission to officially court me. I still remember coyly nodding my head as I stuffed in a mouthful of roasted chanterelles. This was a man who knew the way to my heart. (Which one? you're asking...) I've also been a loyal fan of Craftbar over the years, especially during the reign of Akhtar Nawab, when you could sip some delicious Campari cocktail at the bar while noshing on fried sage leaves stuffed with sausage. These days, in its new location on Broadway, Craftbar is still a fun spot—and a good deal—for lunch. During the abbreviated run of Craftsteak, I had one of the best steaks of my life, a flatiron. But I remember being rather appalled at the blasting air-conditioning (for all those sweaty, rib-eye-eating Wall Streeters) and the equally affronting price tag. Now this huge, wood-filled space has been reincarnated as Colicchio and Sons—a more modest but also more ambitious restaurant. As Sam Sifton of the Times said in his 3-star review last week, "A lot of testosterone has been drained off, and a combination of flowers and a Grateful Deadish soundtrack do much to counter the boom-era feel of the restaurant’s towering ceilings and soft leather seats." I took a friend there for her birthday lunch yesterday but arrived early, so decided to perch at the bar while I waited. Of course this led to a cocktail (at noon!), a wonderful combination of thyme-infused vodka with lemon and ginger ale called the Hard Thyme, accompanied by a teensy bowl of chile-roasted nuts. When my friend arrived, I was pleasantly loose and ready for anything.
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Bond Street is no longer the tucked-away, cobblestoned street of artists' studios it once was. The arrival of Herzog & de Meuron’s overwrought luxury residences and a slew of expensive boutiques signaled a definitive transformation. But it still retains its charm, in no small part because of Il Buco. What began in 1994 as a little antiques shop is now this wonderful Italian restaurant where candelight bounces off rows of hanging copper pots, illuminating dark paintings and the smiles of sated guests. Rustic wooden tables and cozy banquettes make for leisurely dining. The place attracts a nice crowd of locals and regulars that creates a buzzy but not pretentious scene. The eclectic menu is Italian-inflected, with a nod to Spain’s tapas-style grazing. I have found the food to be uniformly delicious. And although it’s hard to make the meal the main focus when you’re surrounded by a gorgeous gaggle of old friends who rarely come together now—sharing stories and secrets and laughs at full volume—it’s also impossible not to stop and savor Il Buco’s inventive flavors. I always look forward to the bread—chewy, yeasty and crusty. Its peerless accompaniments of peppery Umbrian olive oil, Sicilian sea salt and balsamic vinegar from Modena are from Il Buco’s own brand and are available for sale in the restaurant and here.
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It's blustery and cold in Los Angeles. Last week they were crowing about their perfect weather. Temperatures soared into the 80s. I set foot on the tarmac and it starts pissing with rain. But I'm sure it's not personal. LA and I have a longstanding affair. The delicious food and quirky star sightings will do for now. Lisa took me to a great restaurant for lunch on Abbot Kinney in Venice: Gjelina. It's new since I was last here and it was packed to the gills with lanky surfer types (probably working in graphic design) and impossibly thin girls in floaty cardigans and sandals. Gjelina embraces the current reclaimed aesthetic with vintage wood walls and light fixtures cobbled together from old bulbs and pipes. Very steampunk, very Billyburg. The food sits somewhere between AOC and Mozza, with lots of small plates and 14 types of pizza from the wood-burning oven. The menu reads like a who's who of the locavore ingredient elite: burrata, persimmon, sunchokes, housemade chorizo, anaheim chiles. We were hard-pressed to make up our minds. In the end, we started with a lovely, light salad of escarole and sunchokes with preserved lemon, smoked almonds and shaved parmesan.
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Air travel can now be lumped in with some of life's worst experiences, along with root canals and visiting the post office. I think it's safe to say I will never book another ticket on Delta. Not only did we have to pay to check one suitcase apiece, but G got hammered with another $90 because his bag was 7 pounds over their maximum. Imagine how much revenue they could generate if they charged for the excess weight around most of their customers' waistlines instead! In-flight headphones? Another charge. Crappy "snacks" that no one should be eating anyway? Get out your wallet. Sadly, we did not board with our usual stash of tasty treats, so we were forced to make do with a bag of trail mix and some water. This made dinner in LA something to look forward to with relish. Driving through torrential rains to our friend Lisa's fab Spanish-style triplex in West Hollywood, I had AOC on the brain. It's the second restaurant of much-lauded chef Suzanne Goin, a woman with an inspired palate and the face of an elfin angel.
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After a long day of work meetings and running around the city (and, yes, a mani/pedi with the Chanel "Black Satin" nail polish I have been hoarding for 2 years), I returned to the Ace and decided to have a late lunch/early dinner at The Breslin to see if I could experience what the fuss is all about. A you may recall, I tried their burger and excellent thrice-cooked fries from room service. And I also had some airy pumpkin pancakes with melted chile butter at brunch the next day that I really can't complain about. But much has been written about the alleged nose-to-tail eating at this joint, so I wanted to root around in the menu a bit more. As it turns out, I snarfled down quite a panoply of delights, so if you're thinking of making the trek to 29th and Broadway, press on, gentle reader.
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You can take the girl out of the city but you can’t take the city out of the girl…especially when she’s stuffing it back in with both hands! No better place than Momofuku Ssam Bar to remember what it’s like to eat somebody else’s cooking. We chowed down on David-Chang-deliciousness and it was yet another flawless dining experience, from cocktails to cookies. You know all about the place already, right? So I don't have to tell you that you'll eat hunched over at the bar on a hard stool, gazing at strange '70s art featuring John McEnroe and rocking out to loud music. It's all part of a funky, stripped-down dining experience that really wakes up your senses. So glad they’ve now got a full bar and mixed drinks on their extensive alcohol menu. I've written before about the truly wonderful “Penicillin;” even posted the recipe for you here. Smoky Scotch + ginger syrup + lemon juice = divinity. It outshined the Wild-Turkey-based “Gold Rush” I had last night, if you ask me. Here’s what we ate:
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Fela is astonishing! One of the most vibrant and uplifting theatrical experiences you will ever see. You should treat yourself to a night out. The show has migrated from off-Broadway to the Eugene O’Neill theatre on 49th Street. Some heavyweight producers have signed on (Jay-Z, Will and Jada Smith) and luminaries in our packed house included Spike Lee (yes, wearing a baseball cap) and Oprah BFF Gayle King (sporting a Michele Obama-esque waist-cincher). Written by Jim Lewis and directed and choreographed by the legendary Bill T. Jones, this music and dance extravaganza is about Fela Anikulap-Kuti, the Nigerian creator of Afrobeat, a unique synthesis of highlife jazz, James Brown and traditional African rhythms. We saw Sahr Ngaujah in the taxing lead role, but some nights Kevin Mambo takes over. Apparently he is just as good. As incredible as Sahr is, and as smokin’ as is the on-stage band, the show for me was all about the nine female dancers. They represent the 28 women who worked and toured with Fela, all of whom he married in one big ceremony.

Their performances are centered around their incredibly regal attitudes and their amazing booties, constantly rotating and shaking to the beat. The colorful and sexy costumes (designed by Marina Draghici, who is also responsible for the fine set), and the extraordinary makeup, are like the vivid plumage on rare birds. Their bodies range from Amazonian to tiny, from sinewy to well-muscled; they are all strong and supple and gorgeous.
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At this very moment, my location is the polar opposite of the one in this photo where I'm sipping tea on a break from snowshoeing. Right now, I am having a delicious mocha that was meticulously crafted for me by one of the hot, pork-pie-hat-and-mustachio-sporting coffee-barkeeps at the Stumptown in the Ace Hotel on 29th and Broadway. The Ace is among the new hotels favored by the tragically hip (along with the downtown Standard and the Jane). It also houses The Breslin, a gastropub of sorts from the Spotted Pig crew (onion soup with bone marrow, various stews and concoctions from both ends of the pig). Upstairs on the 6th floor, our spacious room looks across 29th Street almost into the window of a loft I lived in during the summer of 1986. It has a turntable we actually know how to use (and some pretty lame records), and a great leather couch strewn with a black sheepskin. Pretty homey. The lobby is riddled with thirtysomethings in knitted caps hunched over their Kindles and Macs, and bellying up to the bar to order the requisite bourbon cocktails. I bought a bottle of Bookers for the room because, frankly, well, never mind... I'm leaning up against the gleaming brass counter in Stumptown, swaddled in my Rick Owens wrap sweater, sipping my mocha, hunched over my own Mac. Hey, maybe I do belong.
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