When it comes to entertaining, I'm a bit of a control freak. (OK, even sometimes when I'm not entertaining.) I happen to like things just so. When I invite people over I want them to feel relaxed and indulged. To me, this means the proceedings should be well-conceived, flow comfortably and add up to a pleasant experience for all the senses. I like soft lighting, good tunes, incense or scented candles (subtle and spicy, nothing cloying), comfortable places to sit, beautiful flowers, excellent company and good food. I get as much done ahead of time as possible so I can kick back and have a lovely time along with my guests. This particular Eastover menu had me in the kitchen a little more than I like. And a number of people brought hors d'oeuvres, which resulted in lots of food I hadn't planned for, albeit all quite delicious. Let me tell you about it.
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Home sweet home. Stuffed. And officially back in the saddle. But before I dispense with the vacation entirely, let me just wrap up the litany of LA dining. There was lunch at Terroni on Beverly Boulevard, an outpost of an Italian restaurant from Toronto that hits all the basics—salume, antipasti, pizza, pasta—but does them surprisingly well. That pizza above had a super-thin crust with molten pools of fresh mozzarella, and salty hits of caper and anchovy. It was delicious but gave me heartburn, a rare occurrence that for me signals the end (of over-indulgence) is nigh.
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Fela is astonishing! One of the most vibrant and uplifting theatrical experiences you will ever see. You should treat yourself to a night out. The show has migrated from off-Broadway to the Eugene O’Neill theatre on 49th Street. Some heavyweight producers have signed on (Jay-Z, Will and Jada Smith) and luminaries in our packed house included Spike Lee (yes, wearing a baseball cap) and Oprah BFF Gayle King (sporting a Michele Obama-esque waist-cincher). Written by Jim Lewis and directed and choreographed by the legendary Bill T. Jones, this music and dance extravaganza is about Fela Anikulap-Kuti, the Nigerian creator of Afrobeat, a unique synthesis of highlife jazz, James Brown and traditional African rhythms. We saw Sahr Ngaujah in the taxing lead role, but some nights Kevin Mambo takes over. Apparently he is just as good. As incredible as Sahr is, and as smokin’ as is the on-stage band, the show for me was all about the nine female dancers. They represent the 28 women who worked and toured with Fela, all of whom he married in one big ceremony.

Their performances are centered around their incredibly regal attitudes and their amazing booties, constantly rotating and shaking to the beat. The colorful and sexy costumes (designed by Marina Draghici, who is also responsible for the fine set), and the extraordinary makeup, are like the vivid plumage on rare birds. Their bodies range from Amazonian to tiny, from sinewy to well-muscled; they are all strong and supple and gorgeous.
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