After a long day of work meetings and running around the city (and, yes, a mani/pedi with the Chanel "Black Satin" nail polish I have been hoarding for 2 years), I returned to the Ace and decided to have a late lunch/early dinner at The Breslin to see if I could experience what the fuss is all about. A you may recall, I tried their burger and excellent thrice-cooked fries from room service. And I also had some airy pumpkin pancakes with melted chile butter at brunch the next day that I really can't complain about. But much has been written about the alleged nose-to-tail eating at this joint, so I wanted to root around in the menu a bit more. As it turns out, I snarfled down quite a panoply of delights, so if you're thinking of making the trek to 29th and Broadway, press on, gentle reader.
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Still at the Ace Hotel in New York City. Bastion of all things vintage-fabulous, steampunk and industrial chic. I like the use of typography throughout the hotel. I brought my camera but forgot the cable to download images to my computer. (Duh. I swear I will get the hang of this soon.) So instead I am posting this picture of me taken two years ago, at a truly fabulous hotel outside Udaipur, called Devi Garh. It's an ancient Indian palace and one of the most beautiful places I have ever been. (More on that soon, when I post about the incredible Kashmiri curry I ate there and now know how to make.) I suppose it's a sad fact of colonialism, but the Indians really know what good service is. Here at the Ace, not so much. Our do-not-disturb sign—a magnet that says "Not Now" and can be stuck to the metal door—somehow vanished during the night. The room service burgers delivered from The Breslin's kitchen (beef not lamb): Eh. The thrice-cooked fries, however, were divine. And I give them credit for sending up little jars of ketchup, dijon mustard and mayonnaise. And for the crisp lacinato kale and radicchio mixed into their green salad. For dessert? The homemade ice cream on offer was vanilla only, and no chocolate sauce available, so we passed. An in-room viewing of The September Issue wrapped up the evening, and we were really quite happy. Grace Coddington, with her witchy mane of flaming red frizz (gorgeous) versus the bizarrely stiff and bug-like Anna Wintour—no contest, really. Given her upbringing, and the real-world accomplishments of her talented siblings, Anna, poor dear, is clearly burdened with the shame of working in fashion. It's too bad, because when you see the magic that Grace creates, the sheer transporting fantasy of a beautiful girl in an other-worldly dress, you see that fashion's escapism is not without merit.
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At this very moment, my location is the polar opposite of the one in this photo where I'm sipping tea on a break from snowshoeing. Right now, I am having a delicious mocha that was meticulously crafted for me by one of the hot, pork-pie-hat-and-mustachio-sporting coffee-barkeeps at the Stumptown in the Ace Hotel on 29th and Broadway. The Ace is among the new hotels favored by the tragically hip (along with the downtown Standard and the Jane). It also houses The Breslin, a gastropub of sorts from the Spotted Pig crew (onion soup with bone marrow, various stews and concoctions from both ends of the pig). Upstairs on the 6th floor, our spacious room looks across 29th Street almost into the window of a loft I lived in during the summer of 1986. It has a turntable we actually know how to use (and some pretty lame records), and a great leather couch strewn with a black sheepskin. Pretty homey. The lobby is riddled with thirtysomethings in knitted caps hunched over their Kindles and Macs, and bellying up to the bar to order the requisite bourbon cocktails. I bought a bottle of Bookers for the room because, frankly, well, never mind... I'm leaning up against the gleaming brass counter in Stumptown, swaddled in my Rick Owens wrap sweater, sipping my mocha, hunched over my own Mac. Hey, maybe I do belong.
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