This photo doesn't really begin to capture the insane blizzard swirling through Times Square as we stepped out of the theatre last night. Broadway was virtually deserted except for the rush of people desperately trying to make it home by any means necessary. The silence and the fluffy whiteness were magical but there were also lightning and strong winds. Luckily we made it down the snow-packed subway steps and safely back to the Ace, where we awakened today to a foot of snow out the window. Our White Christmas, just a little late.

As of tomorrow, I will be on the road, traveling to Todos Santos, Mexico. Four of us are gathering at a rented house on a pineapple plantation in this tiny surf town/artists' colony on the Baja peninsula to celebrate Scott's 50th birthday. I don't surf but I plan to swim, stroll the beaches, eat lots of fresh fish and generally soak up as much relaxation as possible. Not sure what the wireless situation will be, but stay tuned...
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photo from the new york times

Run don't walk to see Alfred Molina play Mark Rothko in Red on Broadway. This two-man play, also featuring the young British actor Eddie Redmayne (you may remember him as Matt Damon's son in The Good Shepherd), comes to us from a successful run in London. Written by John Logan (whose screenplays include Sweeney Todd, The Aviator and Gladiator), Red delivers an authentic and complex portrait of Rothko as he works on a series of murals commissioned for—but ultimately never delivered to—the swank Four Seasons restaurant. He is ferocious, pedantic and very funny, and Molina fully inhabits this character, body and soul. Redmayne does a great job of portraying his young assistant, ambitious and brash in his own right. There is no intermission, and the play moves along quite briskly. It received a roaring standing ovation the night I was there.
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