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"moonlight" on the water

2.23.17 Film Noir

The 89th Academy Awards show airs this Sunday. My husband tried to ban more than half an hour of the red carpet (he says it sours him on the whole thing), but I can assure you I will be parked in front of our enormous television to watch it in all its alarming, cringe-worthy glory. Last year it was fascinating to see how many actresses were determined not to talk about who had designed their dresses—for the first time EVER! And I confess that I'm always interested to see which of them has had surgery. I know, not very sisterly, but I'm only human.

 

The last couple of years, there has been a growing protest against the under-representation of black people in Hollywood and this year's nominations seem to reflect an attempt to address that. All of the major categories include at least one black nominee, which I gather is unprecedented. It affirms the idea that change is possible, though we all see how vigilant we have to be to protect any progress that is made.

 

"Moonlight," directed by Barry Jenkins from a screenplay he wrote with Tarell Alvin McCraney, and starring Trevante Rhodes, André Holland, Janelle Monáe, Ashton Sanders, Jharrel Jerome, Naomie Harris and Mahershala Ali, is perhaps one of the most poignant and moving films I have ever seen, brimming with moments of grace. It's also beautifully shot and directed. For more about it, I recommend Tony Scott's review in the New York Times and this insightful interview with Jenkins and McCraney on Fresh Air.


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